NATIONAL BESTSELLERThe New Yorker’s Best Books of 2024 • A Publishers Weekly Top 10 Book of the Year • An NPR 2024 “Books We Loved” Pick • An Esquire Best Book of the Year  • A Barnes & Noble Best Book of the Year • A Kirkus Best Nonfiction Book of 2024Finalist for the National Book Critics Circle John Leonard First Book Prize • Winner of the Oklahoma Historical Society’s E. E. Dale Award • Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction • Longlisted for the Women’s Prize for Nonfiction • Shortlisted for MPIBA’s Reading the West Award for Nonfiction • Shortlisted for the J. Anthony Lukas Book Prize • Finalist for the ABA Silver Gavel Awards for Media and the Arts • Finalist for the Stubbendieck Great Plains Distinguished Book Prize • Runner-up for the Libby Award for Best Adult Nonfiction"Impeccably researched. . . . A fascinating book and an important one.”—Washington Post“A brilliant, kaleidoscopic debut. . . . A showstopper.”—Publishers Weekly, starred reviewA powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle’s own Cherokee Nation. Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.  Read more

Chosen one of Booklist's Top Ten History Books of the Year!"The Afterlife Is Letting Go is a meditative consideration of Japanese American incarceration during WWII by Brandon Shimoda, author of the PEN Open Book Award–winning The Grave on the Wall."—Matt Seidel, Publishers Weekly's "Big Indie Books""Both personal and choral, The Afterlife is Letting Go is deeply felt, precise, and as generous in its insights as it is unsparing in its critiques of how 'exclusion zones' proliferate and reach across time and space. A stirring, trenchant, and necessary work."—Christina Sharpe, author of Ordinary NotesIn a series of reflective, multi-layered, sometimes multi-voiced essays, poet Brandon Shimoda explores the “afterlife” of the U.S. government’s forced removal and mass incarceration of Japanese immigrants and Japanese Americans during WWII, excavating the ways these events continue to resonate today. What emerges is a panoramic, yet intimate portrait of intergenerational trauma and healing.Informed by personal/familial history, years of research and travel, including visits to museums, memorials and the ruins of incarceration sites, these essays take us on both a physical and a metaphysical journey. What becomes increasingly clear are the infinite connections between the treatment of Japanese Americans and other forms of oppression, criminalization, dispossession, and state violence enacted by the United States, past, present, and ongoing. Read more

For the Cherokee Nation, the Civil War was more than a contest between the Union and the Confederacy. It was yet another battle in the larger struggle against multiple white governments for land and tribal sovereignty. Cherokee Civil Warrior tells the story of Chief John Ross as he led the tribe in this struggle. The son of a Scottish father and mixed-blood Indian mother, John Ross served the Cherokee Nation in a public capacity for nearly fifty years, thirty-eight as its constitutionally elected principal chief. Historian W. Dale Weeks describes Ross’s efforts to protect the tribe’s interests amid systematic attacks on indigenous culture throughout the nineteenth century, from the forced removal policies of the 1830s to the exigencies of the Civil War era. At the outset of the Civil War, Ross called for all Cherokees, slaveholding and nonslaveholding, to remain neutral in a war they did not support—a position that became untenable when the United States withdrew its forces from Indian Territory. The vacated forts were quickly occupied by Confederate troops, who pressured the Cherokees to align with the South. Viewed from the Cherokee perspective, as Weeks does in this book, these events can be seen in their proper context, as part of the history of U.S. “Indian policy,” failed foreign relations, and the Anglo-American conquest of the American West. This approach also clarifies President Abraham Lincoln’s acknowledgment of the federal government’s abrogation of its treaty obligation and his commitment to restoring political relations with the Cherokees—a commitment abruptly ended when his successor Andrew Johnson instead sought to punish the Cherokees for their perceived disloyalty. Centering a Native point of view, this book recasts and expands what we know about John Ross, the Cherokee Nation, its commitment to maintaining its sovereignty, and the Civil War era in Indian Territory. Weeks also provides historical context for later developments, from the events of Little Bighorn and Wounded Knee to the struggle over tribal citizenship between the Cherokees and the descendants of their former slaves.   Read more

The deep and personal story—told through history, poetry, and images—of the forced displacement of the Sámi people from their homeland in northern Norway and Sweden and its reverberations today   More than a hundred years have passed since the Sámi were forcibly displaced from their homes in northern Norway and Sweden, a hundred years since Elin Anna Labba’s ancestors and relations drove their reindeer over the strait to the mainland for the last time. The place where they lived has remained empty ever since. We carry our homes in our hearts, Labba shares, citing the Sámi poet Áillohaš. How do you bear that weight if you were forced to leave? In a remarkable blend of historical reportage, memoir, and lyrical reimagining, Labba travels to the lost homeland of her ancestors to tell of the forced removal of the Sámi in the early twentieth century and to reclaim a place in history, and in today’s world, for these Indigenous people of northern Scandinavia.   When Norway became a country independent from Sweden in 1905, the two nations came to an agreement that called for the displacement of the Northern Sámi, who spent summers on the Norwegian coast and winters in Sweden. This “dislocation,” as the authorities called it, gave rise to a new word in Sámi language, bággojohtin, forced displacement. The first of the sirdolaččat, or “the displaced,” left their homes fully believing they would soon return. Through stories, photographs, letters, and joik lyrics, Labba gathers a chorus of Sámi expression that resonates across the years, evoking the nomadic life they were required to abandon and the immense hardship and challenges they endured: children left behind with relatives, reindeer lost when they returned to familiar territory, sorrow and estrangement that linger through generations.   Starkly poetic and emotionally heart-wrenching, this dark history is told through the voices of the sirdolaččat, echoing the displacements of other Indigenous people around the world as it depicts the singular experience of the Northern Sámi. For her extraordinary work, Labba was awarded Sweden’s most important national book prize in 2020, the August Prize for Best Nonfiction. Read more

A history of the United States' systematic expulsion of "undesirables" and immigrants, told through the lives of the passengers who travelled from around the world, only to be locked up and forced out aboard America's first deportation trains.  The United States, celebrated as a nation of immigrants and the land of the free, has developed the most extensive system of imprisonment and deportation that the world has ever known. The Deportation Express is the first history of American deportation trains: a network of prison railroad cars repurposed by the Immigration Bureau to link jails, hospitals, asylums, and workhouses across the country and allow forced removal with terrifying efficiency. With this book, historian Ethan Blue uncovers the origins of the deportation train and finds the roots of the current moment, as immigrant restriction and mass deportation once again play critical and troubling roles in contemporary politics and legislation.   A century ago, deportation trains made constant circuits around the nation, gathering so-called "undesirable aliens"—migrants disdained for their poverty, political radicalism, criminal conviction, or mental illness—and conveyed them to ports for exile overseas. Previous deportation procedures had been violent, expensive, and relatively ad hoc, but the railroad industrialized the expulsion of the undesirable. Trains provided a powerful technology to divide "citizens" from "aliens" and displace people in unprecedented numbers. Drawing on the lives of migrants and the agents who expelled them, The Deportation Express is history told from aboard a deportation train. By following the lives of selected individuals caught within the deportation regime, this book dramatically reveals how the forces of state exclusion accompanied epic immigration in early twentieth-century America. These are the stories of people who traveled from around the globe, only to be locked up and cast out, deported through systems that bound the United States together, and in turn, pulled the world apart. Their journey would be followed by millions more in the years to come.   Read more

“Riveting...Engrossing...Mr. Sedgwick’s subtitle calls the Cherokee story an ‘American Epic,’ and indeed it is.” —H. W. Brands, The Wall Street Journal An astonishing untold story from America’s past—a sweeping, powerful, and necessary work of history that reads like Gone with the Wind for the Cherokee.Blood Moon is the story of the century-long blood feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. The two men’s mutual hatred, while little remembered today, shaped the tragic history of the tribe far more than anyone, even the reviled President Andrew Jackson, ever did. Their enmity would lead to war, forced removal from their homeland, and the devastation of a once-proud nation. It begins in the years after America wins its independence, when the Cherokee rule expansive lands of the Southeast that encompass eight present-day states. With its own government, language, newspapers, and religious traditions, it is one of the most culturally and socially advanced Native American tribes in history. But over time this harmony is disrupted by white settlers who grow more invasive in both number and attitude. In the midst of this rising conflict, two rival Cherokee chiefs, different in every conceivable way, emerge to fight for control of their people’s destiny. One of the men, known as The Ridge—short for He Who Walks on Mountaintops—is a fearsome warrior who speaks no English but whose exploits on the battlefield are legendary. The other, John Ross, is descended from Scottish traders and looks like one: a pale, unimposing half-pint who wears modern clothes and speaks not a word of Cherokee. At first, the two men are friends and allies. To protect their sacred landholdings from white encroachment, they negotiate with almost every American president from George Washington through Abraham Lincoln. But as the threat to their land and their people grows more dire, they break with each other on the subject of removal, breeding a hatred that will lead to a bloody civil war within the Cherokee Nation, the tragedy and heartbreak of the Trail of Tears, and finally, the two factions battling each other on opposite sides of the US Civil War. Through the eyes of these two primary characters, John Sedgwick restores the Cherokee to their rightful place in American history in a dramatic saga of land, pride, honor, and loss that informs much of the country’s mythic past today. It is a story populated with heroes and scoundrels of all varieties—missionaries, gold prospectors, linguists, journalists, land thieves, schoolteachers, politicians, and more. And at the center of it all are two proud men, Ross and Ridge, locked in a life-or-death struggle for the survival of their people. This propulsive narrative, fueled by meticulous research in contemporary diaries and journals, newspaper reports, and eyewitness accounts—and Sedgwick’s own extensive travels within Cherokee lands from the Southeast to Oklahoma—brings two towering figures back to life with reverence, texture, and humanity. The result is a richly evocative portrait of the Cherokee that is destined to become the defining book on this extraordinary people. Read more