The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures. The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh, Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world. Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World. Read more

This book traces the history of early seventeenth-century Portuguese Sephardic traders who settled in two communities on Senegal's Petite Côte. There, they lived as public Jews, under the spiritual guidance of a rabbi sent by the newly established Portuguese Jewish community in Amsterdam and were protected from agents of the Inquisition by local Muslim rulers. The Petite Côte communities included several Jews of mixed Portuguese-African heritage as well as African wives, offspring, and servants. The blade weapons trade was an important part of their commercial activities. These merchants participated marginally in the slave trade but fully in the arms trade, illegally supplying West African markets with swords. This arms trade depended on artisans and merchants based in Morocco, Lisbon, and northern Europe and affected warfare in the Sahel and along the Upper Guinea Coast. The study discovers previously unknown Jewish communities and by doing so offers a reinterpretation of the dynamics and processes of identity construction throughout the Atlantic world. Read more

Gum arabic is a product that has been seen as a symbol of exoticized lands of the "noble Orient" and also a symbol of trouble. The product is made from the hardened sap of varieties of acacia trees grown exclusively in the Sahel, an area stretching across the African continent between the Sahara to the north and the Savannah to the south. From the time of the Crusades, when Europeans purchased it in Arab countries, this natural product has played an ever-growing role in the global economy and is now a common ingredient in foods, sodas, and paints. In her search for the fascinating history and shifting meanings assigned to gum arabic, Dorrit van Dalen follows the story from Shakespeare to Bin Laden and from the Industrial Revolution to a veteran of a recent coup d'etat in Chad. She shows that Western civilization would not be the same without these golden tears. Read more

Physical description: xxv, 289 pages, 5 unnumbered leaves of plates : illustrations ; 23 cm. Notes: Includes bibliographical references (pages xii-xiii) and index. Subjects: North, Dudley Burton Napier Sir 1881-1961. North, Dudley Burton Napier Sir. North, Dudley 1882-1961. Geschichte 1940. Operation Menace. Opération Menace, 1940. Operation Menace. Weltkrieg Operation Menace. World War, 1939-1945 Dakar Naval operations. World War, 1939-1945 Africa, West. Dakar, Battle of, Dakar, Senegal, 1940. Operation Menace. World War, 1939-1945 Campaigns Senegal. World War, 1939-1945 Campaigns Africa, French-speaking West. World War, 1939-1945 Campaigns Senegal. Dakar, Battle of, 1940. World War, 1939-1945 Dakar Naval operations. World War, 1939-1945 Dakar Naval operations World War II. Naval Operations. Strategy. Relations. Dakar, Battle of, Dakar, Senegal, 1940 World War, 1939-1945 Senegal Dakar Naval operations Dakar Dakar. Senegal. Great Britain. France. Read more

Color your way through history! This coloring book introduces the life of a sage who transformed his society and lands beyond, with a spin--it teaches history! Shaykh Ahmadu Bamba was born in what is now modern-day Senegal and lived during the French occupation of his land. Through coloring and a variety of activities, you can chart Shaykh Bamba's life and learn about some of his many great achievements. Features geography lessons, word searches, mazes, connect-the-dots, a glossary, and answer keys. Read more

In the industrialized nations of the global North, well-funded agencies like the CDC attend to citizens' health, monitoring and treating for toxic poisons like lead. How do the under-resourced nations of the global South meet such challenges? In Edges of Exposure, Noémi Tousignant traces the work of toxicologists in Senegal as they have sought to warn of and remediate the presence of heavy metals and other poisons in their communities. Situating recent toxic scandals within histories of science and regulation in postcolonial Africa, Tousignant shows how decolonization and structural adjustment have impacted toxicity and toxicology research. Ultimately, as Tousignant reveals, scientists' capacity to conduct research—as determined by material working conditions, levels of public investment, and their creative but not always successful efforts to make visible the harm of toxic poisons—affects their ability to keep equipment, labs, projects, and careers going. Read more

Spanning a thousand years of history--and bringing the story to the present through ethnographic fieldwork in Senegal, Gambia, and Mauritania--Rudolph Ware documents the profound significance of Qur'an schools for West African Muslim communities. Such schools peacefully brought Islam to much of the region, becoming striking symbols of Muslim identity. Ware shows how in Senegambia the schools became powerful channels for African resistance during the eras of the slave trade and colonization. While illuminating the past, Ware also makes signal contributions to understanding contemporary Islam by demonstrating how the schools' epistemology of embodiment gives expression to classical Islamic frameworks of learning and knowledge.Today, many Muslims and non-Muslims find West African methods of Qur'an schooling puzzling and controversial. In fascinating detail, Ware introduces these practices from the viewpoint of the practitioners, explicating their emphasis on educating the whole human being as if to remake it as a living replica of the Qur'an. From this perspective, the transference of knowledge in core texts and rituals is literally embodied in people, helping shape them--like the Prophet of Islam--into vital bearers of the word of God. Read more

In Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena. Read more

“A fascinating and well-written account of a failed military operation that deserves to be on the bookshelves of all those interested in naval history.” —Marine NewsContinuing on from his study of the Oran operation of July 1940, when the French warships were destroyed at Mers-el-Kébir, the author investigates the allied expedition of September that year, with De Gaulle present, which unsuccessfully attempted to break the French at Dakar away from the Vichy Government. In addition, there is the story of the Admiral Sir Dudley North, Flag Officer Commanding at Gibraltar at the time, who was relieved from his post after allowing a French naval squadron to pass out of the Mediterranean and so jeopardize the Dakar operation.A pet operation of Prime Minister Churchill, it was undertaken against all advice, and it turned out to be a fiasco. In the author’s words, “Menace exemplifies, in its genesis, planning, and execution, all that can go wrong in warfare; an operation fouled up by unforeseen contingencies, the accidents of war, and human error, and against a background of undue political interference, inadequate planning, and half-baked cooperation between Allies.”Using Admiralty and Cabinet papers, as well as private sources of information, Marder weaves a skilled course through all the complex material to produce a masterly case-study of how an operation is mounted and how it can go disastrously wrong. It is a classic, tragi-comic illustration of the fog of war.“Marder’s analysis is neutral and objective; his research is exhaustive and its results instructive . . . This is an example of naval history at its best and this volume is strongly recommended.” —Warship World Read more

What does it take to make a dictator answer for his crimes? Hissène Habré, the former despot of Chad, had terrorized, tortured, and killed on a horrific scale over eight bloody years in power―all while enjoying full American and Western support. After Habré’s overthrow, his victims and their supporters were determined to see him held responsible for his atrocities. Their quest for justice would be long, tense, and unnerving, but they would not back down.To Catch a Dictator is a dramatic insider’s account of the hunt for Habré and his momentous trial. The human rights lawyer Reed Brody recounts how he and an international team of investigators, legal experts, and victims worked across three continents to unearth evidence and witnesses, petition courts and skeptical governments, and rally public opinion. They faced many obstacles and constant threats. One of Brody’s Chadian colleagues was gravely injured in a bomb attack, and another had to seek asylum in the United States. Habré fought back bitterly, drawing on secret bank accounts and extensive political connections to preserve his life of luxurious exile. Yet Brody and his allies ultimately triumphed: Habré became the first former head of state to be convicted of crimes against humanity in the courts of another country. This fast-paced, suspenseful book shows that there is nothing inevitable about the impunity that too often protects the powerful and that even the worst tyrants can be brought to justice.The book also features a foreword by Jacqueline Moudeïna, the lead lawyer for Hissène Habré’s victims, who received the Right Livelihood Award (the “alternative Nobel Peace Prize”) in 2011. Read more

A richly illustrated history of photography in one of the epicenters of African modernityWhen the daguerreotype first arrived in sub-Saharan Africa in the early nineteenth century, local kingdoms still held power in Senegal and the French presence was limited to trading outposts along the coast. The pioneers of photography in Senegal worked within, across, and beyond the borders of colonial empire, expanding the medium’s possibilities and contributing to a global visual language. Portrait and Place explores these unique encounters, providing an in-depth and nuanced look at the images made at the intersection of Black Atlantic, Islamic, and African cultures.Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.Featuring a wealth of breathtaking images published here for the first time, Portrait and Place brings to life the important histories of photography on the African continent. Read more

Until recently, academic studies of Sufism have largely ignored the multiple ways in which Islamic mystical ideas and practices have developed in the modern period. For many specialists, Sufism was "on the way out" and not compatible with modernity. The present study of a twentieth-century Sufi revival in West Africa offers critical corrections to this misconception. Seesemann's work revolves around the emergence and spread of the "Community of the Divine Flood," established in 1929 by Ibrahim Niasse, a leader of the Tijaniyya Sufi order from Senegal. Based on a wide variety of written sources and encounters with leaders and ordinary members of the movement, the book analyzes the teachings and practices of this community, most notably those concerned with mystical knowledge of God. It presents a vivid and intimate portrait of the community's formation in Senegal and its subsequent transformation into a veritable transnational movement in West Africa and beyond. Drawing on letters, poetry, hagiography, and testimonies of opponents of the movement, the book traces Niasse's spectacular ascension as the widely acclaimed "Supreme Saint of His Era" and shows how the various stages of his career intersect with the development of his mystical teachings. Seesemann makes a compelling case for studying Sufis and their literary production in their social and historical contexts, throwing light on a little known chapter of the intellectual and social history of Islam. Read more

Embark on a captivating journey through the heart of West Africa with “Gambia: Everything You Need to Know.” In this text-only book, readers are invited to explore the rich tapestry of culture, history, and natural beauty that defines the enchanting nation of Gambia.From the bustling streets of Banjul to the tranquil mangrove forests of Lamin Lodge, each chapter of this text-only masterpiece offers a vivid portrayal of Gambia's diverse landscape and vibrant traditions. Delve into the depths of Gambia's wilderness with chapters dedicated to its national parks, wildlife sanctuaries, and pristine beaches. Experience the warmth of Gambian hospitality as you immerse yourself in the bustling markets, traditional festivals, and culinary delights that define daily life in this welcoming nation.Whether you're planning a visit to Gambia or simply seeking to broaden your horizons from the comfort of your own home, this book promises to ignite your imagination and inspire your sense of adventure.Filled with fascinating insights, captivating anecdotes, and a wealth of information, „Gambia: Everything You Need to Know“ invites readers to embark on a journey of discovery and appreciation for one of Africa's hidden gems. So why wait? Pick up your copy today and let the adventure begin! Read more

Continuing on from his study of the Oran operation of July 1940, when the French warships were destroyed at Mers-el-Kébir, the author investigates the allied expedition of September that year, with De Gaulle present, which unsuccessfully attempted to break the French at Dakar away from the Vichy Government. In addition, there is the story of the Admiral Sir Dudley Pound, Flag Officer Commanding at Gibraltar at the time, who was relieved from his post after allowing a French naval squadron to pass out of the Mediterranean and so jeopardise the Dakar operation. A pet operation of Prime Minister Churchill, it was undertaken against all advice, and it turned out to be a fiasco. In the author s words, Menace exemplified, in its genesis, planning, and execution, all that can go wrong in warfare; an operation fouled up by unforeseen contingencies, the accidents of war, and human error, and against a background of undue political interference, inadequate planning, and half-baked co-operation between Allies. Using Admiralty and Cabinet papers, as well as private sources of information, Marder weaves a skilled course through all the complex material to produce a masterly case-study of how an operation is mounted and how it can go disastrously wrong. It is a classic, tragi-comic illustration of the fog of war. Read more

Africa: A Guide for Teachers and Families is a carefully organized resource for teaching children and adolescents about African culture. This book is divided into geographical regions so each can be highlighted and contrasted. The songs, fairy tales, mythologies, biographies, art, and recipes are highlighted with practical activities for each grade including kindergarten. This is an invaluable book for teachers in elementary and high school as well as for home school parents. Based on this extensive, well-researched book, Waldorf teachers have created a full unit on Africa. Teachers and parents will welcome this updated and expanded 2022 edition of the successful book, Hear the Voice of the Griot!.This new and exciting edition makes the music, history, animals, and people of Africa come alive – as well as offering things you can make and do. Check out the interactive connections to YouTube videos, bringing Africa into your home and classroom. Read more

This ambitious survey draws together the two major wars of decolonization fought by France in Indochina and Algeria (as well as the lesser but far from insignificant military operations in Madagascar, Tunisia and Morocco) into a single integrated account. It examines traditional French attitudes to empire, and how these changed under the pressure of events; the military operations themselves; the collapse of the Fourth Republic and the return of de Gaulle; and the final drama of French withdrawal from Algeria and the 'ethnic cleansing' of its European settler population. Read more

Over the last twenty-five years, garbage infrastructure in Dakar, Senegal, has taken center stage in the struggles over government, the value of labor, and the dignity of the working poor. Through strikes and public dumping, Dakar's streets have been periodically inundated with household garbage as the city's trash collectors and ordinary residents protest urban austerity. Often drawing on discourses of Islamic piety, garbage activists have provided a powerful language to critique a neoliberal mode of governing-through-disposability and assert rights to fair labor. In Garbage Citizenship Rosalind Fredericks traces Dakar's volatile trash politics to recalibrate how we understand urban infrastructure by emphasizing its material, social, and affective elements. She shows how labor is a key component of infrastructural systems and how Dakar's residents use infrastructures as a vital tool for forging collective identities and mobilizing political action. Fleshing out the materiality of trash and degraded labor, Fredericks illuminates the myriad ways waste can be a potent tool of urban control and rebellion. Read more

In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts negres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aime Cesaire, Andre Malraux and Wole Soyinka. Described by Senegalese President Leopold Sedar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy. Read more

Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city's resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar's creative economy and the city's urban vibe into an "art world city." Read more