Winner of the 2015 Audie Award for History/Biography and Finalist for Audiobook of the YearAudie Award, History/Biography, 2015After Presidents Franklin D. Roosevelt and Abraham Lincoln, Doris Kearns Goodwin wields her magic on another larger-than-life president, and another momentous and raucous American time period as she brings Theodore Roosevelt, the muckraking journalists, and the Progressive Era to life. As she focused on the relationships between Franklin and Eleanor Roosevelt in No Ordinary Time, and on Lincoln and his team in Team of Rivals, Goodwin describes the broken friendship between Teddy Roosevelt and his chosen successor, William Howard Taft. With the help of the "muckraking" press - including legendary journalists Ida Tarbell, Lincoln Steffens, William Allen White, and editor Sam McClure - Roosevelt had wielded the Bully Pulpit to challenge and triumph over abusive monopolies, political bosses, and corrupting money brokers. Roosevelt led a revolution that he bequeathed to Taft only to see it compromised as Taft surrendered to money men and big business. The rupture between the two led Roosevelt to run against Taft for president, an ultimately futile race that resulted in the election of Democrat Woodrow Wilson and the diminishment of Theodore Roosevelt's progressive wing of the Republican Party. Like Goodwin's chronicles of the Civil War and the Great Depression, The Bully Pulpit describes a time in our history that enlightened and changed the country, ushered in the modern age, and produced some unforgettable men and women. Read more

Pulitzer Prize–winning author and presidential historian Doris Kearns Goodwin’s dynamic history of Theodore Roosevelt, William H. Taft and the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. Winner of the Carnegie Medal.Doris Kearns Goodwin’s The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history. The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S.S. McClure. Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men. The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals. Read more

Pulitzer Prize–winning author and presidential historian Doris Kearns Goodwin’s dynamic history of Theodore Roosevelt, William H. Taft and the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. Winner of the Carnegie Medal.Doris Kearns Goodwin’s The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history. The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S.S. McClure. Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men. The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals. Read more

The New York Times best-selling author of How to Read Literature Like a Professor uses the same skills to teach how to access accurate information in a rapidly changing 24/7 news cycle and become better readers, thinkers, and consumers of media. We live in an information age, but it is increasingly difficult to know which information to trust. Fake news is rampant in mass media, stoked by foreign powers wishing to disrupt a democratic society. We need to be more perceptive, more critical, and more judicious readers. The future of our republic may depend on it. How to Read Nonfiction Like a Professor is more careful, more attentive, more aware reading. On bookstore shelves, one book looks as authoritative as the next. Online, posts and memes don’t announce their relative veracity. It is up to readers to establish how accurate, how thorough, how fair material may be. After laying out general principles of reading nonfiction, How to Read Nonfiction Like a Professor offers advice for specific reading strategies in various genres from histories and biographies to science and technology to social media. Throughout, the emphasis will be on understanding writers’ biases, interrogating claims, analyzing arguments, remaining wary of broad assertions and easy answers, and thinking critically about the written and spoken materials readers encounter. We can become better citizens through better reading, and the time for that is now. Supplemental enhancement PDF accompanies the audiobook. PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio. Read more

A sweeping behind-the-scenes look at the last four turbulent decades of “the paper of record,” The New York Times, as it confronted world-changing events, internal scandals, and faced the existential threat of the internet“An often enthralling chronicle [that] delivers the gossipy goods . . . Like Robert Caro’s biographies, [The Times] should appeal to anyone interested in power.”—Los Angeles TimesA KIRKUS REVIEWS BEST BOOK OF THE YEARFor over a century, The New York Times has been an iconic institution in American journalism, one whose history is intertwined with the events that it chronicles—a newspaper read by millions of people every day to stay informed about events that have taken place across the globe.In The Times, Adam Nagourney, who’s worked at The New York Times since 1996, examines four decades of the newspaper’s history, from the final years of Arthur “Punch” Sulzberger’s reign as publisher to the election of Donald Trump in November 2016. Nagourney recounts the paper’s triumphs—the coverage of September 11, the explosion of the U.S. Challenger, the scandal of a New York governor snared in a prostitution case—as well as failures that threatened the paper’s standing and reputation, including the discredited coverage of the war in Iraq, the resignation of Judith Miller, the plagiarism scandal of Jayson Blair, and the high-profile ouster of two of its executive editors.Drawing on hundreds of interviews and thousands of documents and letters contained in the newspaper’s archives and the private papers of editors and reporters, The Times is an inside look at the essential years that shaped the newspaper. Nagourney paints a vivid picture of a divided newsroom, fraught with tension as it struggled to move into the digital age, while confronting its scandals, shortcomings, and swelling criticism from conservatives and many of its own readers alike. Along the way we meet the memorable personalities—including Abe Rosenthal, Max Frankel, Howell Raines, Joe Lelyveld, Bill Keller, Jill Abramson, Dean Baquet, Punch Sulzberger and Arthur Sulzberger Jr.—who shaped the paper as we know it today. We see the battles between the newsroom and the business operations side, the fight between old and new media, the tension between journalists who tried to hold on to the traditional model of a print newspaper and a new generation of reporters who are eager to embrace the new digital world.Immersive, meticulously researched, and filled with powerful stories of the rise and fall of the men and women who ran the most important newspaper in the nation, The Times is a definitive account of the most pivotal years in New York Times history. Read more

This work on the mechanics of rock music criticism acutely defines the major areas of criticism, from release reviews, live shows and the coveted rock star interview. No other book covers this topic with the same depth and probity. Read more

Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line―or dotted line―between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is―and what is not―true crime will either challenge or justify Truman Capote’s claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR’s Serial, HBO’s The Jinx, and Netflix’s Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms―radio, television, print, digital, and film―to reveal the defining characteristics of the genre. Read more

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W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes.Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died.John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946.The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME.Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era. Read more

A timely new edition of the classic journalism text, now featuring updated material on the importance of reporting in the age of media mistrust and fake news—and how journalists can use technology to navigate its challengesMore than two decades ago, the Committee of Concerned Journalists gathered some of America’s most influential newspeople and asked them, “What is journalism for?” Through exhaustive research, surveys, interviews, and public forums, the committee identified the essential elements that define journalism and its role in our society. The result is one of the most important books on media ever written—winner of the Goldsmith Book Prize from Harvard, a Society of Professional Journalists Award, and the Bart Richards Award for Media Criticism from Penn State University.Updated with new material covering the ways journalists can leverage technology to their advantage, especially given the shifting revenue architecture of news—and with the future of news, facts, and democracy never more in question—this fourth edition of The Elements of Journalism is the authoritative guide for journalists, students, and anyone hoping to stay informed in contentious times. Read more

As climate change brings devastation to all areas of the world, and U.S. journalists cover these threats more extensively, climate reporting needs to be evaluated. Media representations of the climate crisis are critical because they influence what responses are taken and policies enacted.In Apocalyptic Authoritarianism, media scholar Hanna E. Morris reveals how national anxieties following the 2016 presidential election have shaped American news coverage of climate change in ways that severely limit how it has come to be known, imagined, and contended with. Looking at climate change reporting across prominent and ideologically diverse U.S. newspapers and magazines over the past decade, the book traces how news media create an illusion of control in the present through nostalgic and heroic stories of the past. Morris identifies a new mode of reactionary politics called "apocalyptic authoritarianism" to describe the post-2016 alignment of historically privileged figures united by a common enemy of the "new" New Left and a shared appeal to fears of "total crisis." Their antidemocratic paradigm portends national and planetary disarray if progressive social and climate justice "warriors" are not controlled at home and if "unruly masses" of climate migrants are not contained abroad. Ultimately, Morris calls for a robust and inclusive form of climate journalism and politics to facilitate--and not impede--democratic and equitable responses to climate change. Read more

How the current epidemic of news deserts and ghost papers threatens democracyGhosting the News tells the most troubling media story of our time: How democracy suffers when local news dies. From 2004 to 2015, 1,800 print newspaper outlets closed in the U.S. One in five news organizations in Canada has closed since 2008. One in three Brazilians lives in news deserts. The absence of accountability journalism has created an atmosphere in which indicted politicians were elected, school superintendents were mismanaging districts, and police chiefs were getting mysterious payouts. This is not the much-discussed fake-news problem—it's the separate problem of a critical shortage of real news.America’s premier media critic, Margaret Sullivan, charts the contours of the damage, and surveys a range of new efforts to keep local news alive—from non-profit digital sites to an effort modeled on the Peace Corps. No nostalgic paean to the roar of rumbling presses, Ghosting the News instead sounds a loud alarm, alerting citizens to a growing crisis in local news that has already done serious damage.“An excellent introduction to the essential problem of our republic. With a wake-up call like this one, we still have a chance.” ―Timothy Snyder Read more

One of the country’s most powerful families embroiled in sex, lies, bigamy, and blackmail . . . and every new, deliciously humiliating morsel splashed across every newspaper in America Now in paperback, the believe-it-or-not historical true crime behind one of the greatest scandals of the Gilded Age, and the story that gave rise to the sensational tabloid journalism still driving so much of the news cycle in the 21st century.An Alexander Hamilton heir, a beautiful female con artist, an abandoned baby, and the shocking courtroom drama that was splashed across front pages from coast to coast . . . It’s a historical true crime story almost too tawdry to be true—a con woman met the descendant of a Founding Father in a brothel, duped him into marriage using an infant purchased from a baby farm, then went to prison for stabbing the couple’s baby nurse—all while in a common-law marriage with another man. The scandal surrounding Evangeline and Robert Ray Hamilton was one of the sensations of the Gilded Age, a sordid, gripping tale involving bigamy, bribery, sex, and violence. Through personal correspondence, court records, and sensational newspaper accounts, The Scandalous Hamiltons explores not only the full, riveting saga of ill-fated Ray and Eva, but the rise of tabloid journalism—including an exclusive interview conducted by world-famous investigative reporter Nellie Bly—in a story that unfurls as a timeless tale of ambition, greed, and obsession.“Fans of Erik Larson–style histories and anyone who just loves a fun, gossipy read will love The Scandalous Hamiltons.” —Apple Books, Best of the Month Selection"Adultery? Check. Attempted murder? Check. Baby-trafficking? Check. These are just a few of the missteps of the woman who rained humiliation onto the House of Hamilton." —Marlene Wagman-Geller, author of Women of Means: Fascinating Biographies of Royals, Heiresses, Eccentrics and Other Poor Little Rich Girls Read more

I Smell a Story by Violet N Spring is a laugh-out-loud short story about a determined journalist, a peculiar mystery, and a scent that can't be ignored.Samantha "Sam" Carson has a reputation for uncovering stories that others overlook. When a strange odor disrupts the mayor’s press conference, Sam’s investigative instincts kick in. As she follows the trail of suspicious smells around town—from City Hall to a popular taco truck—she discovers that the truth can sometimes be found in the most unexpected places.With sharp humor and witty storytelling, I Smell a Story is a comedic adventure for readers who enjoy quirky mysteries, relatable characters, and a healthy dose of unexpected hilarity. Perfect for fans of lighthearted fiction with a twist! Read more

From Derek Hunter—one of the most entertaining political writers today—comes an insightful, alarming look at how progressives have taken over academia, pop culture, and journalism in order to declare everything liberal great, and everything great, liberal. Progressives love to attack conservatives as anti-science, wallowing in fake news, and culturally backwards. But who are the real denialists here? There are three institutions in American life run by gatekeepers who have stopped letting in anyone who questions their liberal script: academia, journalism, and pop culture. They use their cult-like groupthink consensus as "proof" that science, reporting, and entertainment will always back up the Democrats. They give their most political members awards, and then say the awards make their liberal beliefs true. Worse, they are using that consensus to pull the country even further to the left, by bullying and silencing dissent from even those they've allowed in. Just a few years ago, the media pretended they were honest brokers. Now a CNN segment is seven liberals versus a sacrificial lamb. MSNBC ate their sacrificial lamb. Well, Chris Matthews did. Tired of being forced to believe or else, Derek Hunter exposes the manufactured truths and unwritten commandments of the Establishment. With research and a biting, sarcastic wit, he explains:The growing role of celebrities in the political world, and movies with a "message" that dominate awards season, but rarely the box office.The unquestioning reporting on "studies" that don’t prove what they say they prove.The hidden bias of "fact-checking," when the media cherry picks which facts they check.Celebrity scientists like Bill Nye and Neil deGrasse Tyson blending liberal activism with pretend expertise outside their fields.Clever, controversial, and convincing, Derek Hunter's book gets to the root of America's biggest cultural war lies. Read more

The New York Times bestselling author of How to Read Literature Like a Professor uses the same skills to teach how to access accurate information in a rapidly changing 24/7 news cycle and become better readers, thinkers, and consumers of media.We live in an information age, but it is increasingly difficult to know which information to trust. Fake news is rampant in mass media, stoked by foreign powers wishing to disrupt a democratic society. We need to be more perceptive, more critical, and more judicious readers. The future of our republic may depend on it. How to Read Nonfiction Like a Professor is more careful, more attentive, more aware reading. On bookstore shelves, one book looks as authoritative as the next. Online, posts and memes don’t announce their relative veracity. It is up to readers to establish how accurate, how thorough, how fair material may be. After laying out general principles of reading nonfiction, How to Read Nonfiction Like a Professor offers advice for specific reading strategies in various genres from histories and biographies to science and technology to social media. Throughout, the emphasis will be on understanding writers’ biases, interrogating claims, analyzing arguments, remaining wary of broad assertions and easy answers, and thinking critically about the written and spoken materials readers encounter. We can become better citizens through better reading, and the time for that is now. Read more

Named a Notable Scholarly Publication of 2015 by the Comics Studies SocietyContributions by Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind VågnesThe Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.First in the series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today.Sections focus on how Sacco's comics journalism critiques and employs the standard of objectivity in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time. Read more

From an NPR veteran, a “comprehensive and lucid” guide to “the values and practices that yield stellar audio journalism” (Booklist).Maybe you’re thinking about starting a podcast, and want some tips from the pros. Or perhaps storytelling has always been a passion of yours, and you want to learn to do it more effectively. Whatever the case—whether you’re an avid NPR listener or you aspire to create your own audio, or both—Sound Reporting: The NPR Guide to Audio Journalism and Production will give you a rare tour of the world of a professional broadcaster.Jonathan Kern, a former executive producer of All Things Considered who has trained NPR’s on-air staff for years, is a gifted guide, able to narrate a day in the life of a host and lay out the nuts and bolts of production with both wit and warmth. Along the way, he explains the importance of writing the way you speak, reveals how NPR books guests ranging from world leaders to neighborhood newsmakers, and gives sage advice on everything from proposing stories to editors to maintaining balance and objectivity. Best of all—because NPR wouldn’t be NPR without its array of distinctive voices—lively examples from popular shows and colorful anecdotes from favorite personalities animate each chapter.As public radio’s audience of millions can attest, NPR’s unique guiding principles and technical expertise combine to connect with listeners like no other medium can. With today’s technologies allowing more people to turn their home computers into broadcast studios, Sound Reporting is a valuable guide that reveals the secrets behind NPR’s success. Read more

High White Notes is the first in-depth analysis of the complete writings of Hunter S. Thompson, one of the most misunderstood authors of the 20th century. His Gonzo journalism was an odd fusion of fact and fiction that garnered widespread adoration but perhaps for all the wrong reasons.In this book, David S. Wills traces the outlaw journalist's life from birth to death, exploring how Thompson developed his unique literary voice and why he used such odd techniques to craft a form of prose that defied categorization. This book not only explores Thompson's meteoric rise to literary superstardom but also charts the rapid decline in the quality of his work that came after his 1972 foray into political reporting.This book dispels a great many myths about Thompson’s life, analyzes his work as never before, and asks difficult questions about his work. By cutting through the legends and exploring Thompson’s deliberate hybridization of fact and fiction, Wills aims to set the Gonzo author in his proper literary context, alongside other greats of the 20th century. Read more

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